Chapter XV. Sacred Images. 195 sanctuary of home, and snatched thence the sacred emblems which adorned private residences. He caused statues of bronze, silver and gold to be melted down and conveniently converted them into coins, upon which his own image was stamped. Like Henry VIII. and Cromwell, this royal Iconoclast affected to be moved by a zeal for purity of worship, while avarice was the real motive of his action. The Emperor commanded the learned librarians of his imperial library to give public approbation to his decrees against images, and when those conscientious men refused to endorse his course they were all confined in the imperial library, the building was set on fire and thirty thousand volumes, the splendid basilica which contained them, innumerable paintings and the librarians themselves were involved in one common destruction. Constantine Copronymus prosecuted the vandalism of Leo, his predecessor. Stephen, an intrepid monk, presented to the Emperor a coin bearing that tyrant's effigy, with these words: "Sire, whose image is this?" "It is mine," replied the Emperor. The monk then threw down the piece of money and trampled it. He was instantly seized by the imperial attendants and soon after put to a painful death. "Alas!" cried the holy man to the Emperor, "if I am punished for dishonoring the image of a mortal monarch, what punishment do they deserve who burn the image of Jesus Christ?" [198] The demolition of images was revived by the Reformers of the sixteenth century. Paintings and statues were ruthlessly destroyed, chiefly in the British Isles, Germany and Holland, under the pretext that the making of them was idolatrous. But as the Iconoclasts of the eighth century had no scruple about appropriating to their own use the gold and silver of the statues which they melted, neither had the Iconoclasts of the sixteenth century any hesitation in confiscating and worshiping in the idolatrous churches whose statues and paintings they broke and disfigured.